ื—ืคืฉื• ื‘ืืชืจ

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ื ืžืฆืื• 513 ืชื•ืฆืื•ืช
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ืžืคื’ืฉ ื”ื™ื›ืจื•ืช ื‘ื–ื•ื ืขื ื”ืชื•ืืจ ื”ืฉื ื™ ื‘ืžื—ื•ืœ ืœืงืจืืช ื”ืจืฉืžื” ืœืกืžืกื˜ืจ ื‘' ืชืฉืคื’ (2022-2023)

ืชื•ืืจ ืฉื ื™ ื‘ืžื—ื•ืœ โ€“ M. Dance, ืจืง ื‘ืืงื“ืžื™ื” ืœืžื•ืกื™ืงื” ื•ืœืžื—ื•ืœ ื‘ื™ืจื•ืฉืœื™ื. ื”ื”ืจืฉืžื” ืœืกืžืกื˜ืจ ื‘' ืชืฉืคื’โ€ฆ

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Admission Requirements for the Wind and Percussion Instruments Division

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ื“ืจื™ืฉื•ืช ื”ืงื‘ืœื” ืฉืœ ื”ืžื—ืœืงื” ืœื›ืœื™ ื ืฉื™ืคื” ื•ื›ืœื™ ื ืงื™ืฉื”

ื. ืชืขื•ื“ืช ื‘ื’ืจื•ืช ื™ืฉืจืืœื™ืช ืื• ืชืขื•ื“ื” ืฉื•ื•ืช ืขืจืš ืœื‘ื’ืจื•ืช (ืžื›ื™ื ื”โ€ฆ

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Admission Requirements for the String Instruments Division

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ื“ืจื™ืฉื•ืช ื”ืงื‘ืœื” ืฉืœ ื”ืžื—ืœืงื” ืœื›ืœื™ ืžื™ืชืจ

ื. ืชืขื•ื“ืช ื‘ื’ืจื•ืช ื™ืฉืจืืœื™ืช ืื• ืชืขื•ื“ื” ืฉื•ื•ืช ืขืจืš ืœื‘ื’ืจื•ืช (ืžื›ื™ื ื” ื™ื™ืขื•ื“ื™ืช ืงื“ื ืืงื“ืžื™ืช ื”ืžื•ื›ืจืช ืขื™ ื”ืžื•ืขืฆื” ืœื”ืฉื›ืœื” ื’ื‘ื•ื”ื”, ืชืขื•ื“ืช ื‘ื’ืจื•ืช ืžื—ื•ืœ ื”ืžื•ื›ืจืช ืขื™ ืžืฉืจื“ ื”ื—ื™ื ื•ืš, ืžื›ื™ื ืช 30+)

ื‘. ืžื™ื•ืžื ื•ืชโ€ฆ

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The Contemporary Improvisation Track - Graduate Program (M.Mus.)

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The Jazz performance track Track - Graduate Program (M.Mus.)

NON-THESIS TRACK

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Jazz Performance Department - Undergraduate Program (B.Mus.)

Area of study

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The Cross-Disciplinary Performance Department Instrumentalists Track - Undergraduate Program (B.Mus.)

TOTALโ€ฆ

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The Cross-Disciplinary Composition Department - Undergraduate Program (B.Mus.)

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ื’ืœื• ืืช ืขืฆืžื›ื ืืฆืœื™ื ื•

ื”ื™ืจืฉืžื• ื•ื ื—ื–ื•ืจ ืืœื™ื›ื ืขื ืคืจื˜ื™ื ืขืœ ื”ืœื™ืžื•ื“ื™ื ืฉืžืชืื™ืžื™ื ืœื›ื

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